It’s a candid street photo, looks like a town in southwestern France (the light stone architecture and the “Lagrèze Foie Gras” sign point toward the Dordogne/Sarlat area). A young woman with short reddish-brown hair and glasses walks toward the camera on a cobblestone square, wearing a red polka-dot dress and orange platform sandals, carrying a brown crossbody bag and holding the leash of a small tan-and-black long-haired dog (looks like a Pekingese or Tibetan spaniel mix) trotting beside her with its tongue out. She has a small tattoo visible on her upper arm.
The scene is shot in bright, high-contrast sunlight — the left side of the frame is in deep shadow (café tables, wicker chairs, and a partly visible person in sunglasses in the foreground corner) while the woman and the background buildings are lit in warm afternoon light. Behind her is a large white market umbrella, potted boxwood topiaries in dark planters, stone buildings with shuttered windows, and an archway with framed artwork displayed for sale near the corner. A couple of men in the midground are looking into a shop window.
This has the feel of a Cartier-Bresson-style street photograph — a fleeting, slightly startled glance from the subject caught mid-stride, strong shadow/light division, and a lively market-town backdrop.